Aleksandra is a Polish collaborative pianist and répétiteur actively establishing her presence in the classical music scene across Europe and China. Her early education was marked by a deep affinity for the music of Fryderyk Chopin, earning her a special prize from the National Fryderyk Chopin Society when she was nine years old. She became a prize-winner in competitions such as the R. Schumann International Competition in Poland and the F. Chopin International Competition in Hungary, and these achievements led to a scholarship from the Polish Ministry of Arts and Culture.
A graduate of the Royal Academy of Music, where she studied with Prof. Christopher Elton and Prof. Hamish Milne Aleksandra has been profoundly influenced by her mentor, Julius Drake (who called her an “outstanding talent”), along with notable artists such as Ferenc Rados, Leon Fleisher, Michel Béroff, Fou Ts’ong, and Graham Johnson.
Her career includes participation in esteemed young artist programs such as the Santander Encuentro de Música, Leeds Lieder, Solti Accademia, and the Britten Pears Young Artist Programme. A significant milestone was her debut at Carnegie Hall as part of the Renée Fleming Song Studio.
Aleksandra has performed at prestigious venues, including Wigmore Hall, Barbican Hall, and the Anvil Basingstoke, and has appeared on BBC Radio 3's "In Tune" program. In 2024, she collaborated with baritone Florian Störtz at the Schubertíada as part of the Lied the Future program. She has toured China with soprano Catherine Hooper and performed around Europe as a soloist and chamber musician. In 2025 she stepped in on a half a week’s notice to play the demanding Pierrot lunaire by Schönberg and the performance was described as „played with great artistry and energy, with wonderful sound, always alive and clear, and the rhythmic control that was exemplary”.
As a répétiteur, Aleksandra has been involved with notable opera companies, including Opera Holland Park, the Waterperry Opera Festival, and the production of The Turn of the Screw at the Bath Ustinov Studio during the Deborah Warner Season. In 2025, she had her first collaboration with the Royal Opera House, where she was part of the staff for the production of Carmen under the direction of Ariane Matiakh . She also participated in the premieres of new operas, such as Syllable by Ed Jessen and Measure for Measure by Tom Rice-Oxley.
Currently, she serves as a staff pianist at Trinity Laban Conservatoire and the Guildhall School of Music & Drama. Recently appointed as a City Music Foundation Artist for 2024-2026, Aleksandra and her duo partner Florian Störtz are in the process of rediscovering the music of a forgotten emigre composer Robert Kahn, whose music they included on their debut disc for Delphian Records.
Her collaborative pianist work has earned her prizes in various competitions, including the Brenda Webb Award for Accompanists, the Edith Poulsen Accompanist Prize, and the Leach Award for Accompanists.